Moldova’s Infected Rain return with their massive sixth Nu Metal creation, Time, on February 9, 2024, via Napalm Records. Following their very successful album from 2022’s Ecdysis—which received great acclaim and debuted in the Top 20 US Music charts. An eclectic studio album that pushes the envelope in the modern metal scene
The Moldovan band has been active since 2008. Throughout its journey, the group has stood out for its ability to think outside the box and bring originality to the metal scene with its kaleidoscopic sound.” The band’s music often combines various metal subgenres, incorporating elements of alternative, nu-metal, and metalcore. Lena Scissorhands’ powerful and versatile vocals, coupled with the band’s dynamic instrumentation, contribute to their distinctive musical identity and ability to constantly try new things.
Time is yet another example of their approach. The album track list, which has already been revealed, is going to feature twelve new songs. Each track allows the band to experiment with different ideas, highlighting the incredibly broad scope of this record. The flagship single, ‘Never To Return’, is a very good introduction to the aesthetics of this album. The song features cinematic ambient tones, as well as brutal guitar, riffs, and diverse arrangements with somewhat of a progressive feel. With a penchant for theatrics and storytelling, the band managed to create a very immersive album with a strong sonic narrative behind it.
It is not always easy to add something new to the conversation when it comes to metal music, but Infected Rain has something to say. Fans of bands such as Jinjer, Arch Enemy, Lacuna Coil, and Otep should most definitely give this album a shot! Bands like these have helped and continue to help shape the sound of contemporary metal music, drawing outside the lines and bringing more variety to the scene.
Thankfully, this band set out to stay pretty prolific over the past few years, even in spite of the obvious challenges many artists have had to face in the not-too-distant past. Infected Rain strikes as a band on a constant quest to expand its sound and raking in new influences to keep treating fans to something special. It’s always very interesting to hear metal bands that are open to incorporating ideas and sounds that are not commonly associated with metal music. This fusion brings the genre to new places and helps come up with a more original sound for the artist. Time fits this category!
Find out more about Infected Rain here and stay tuned for the upcoming release of this remarkable new studio work!
ALBUM REVIEW – BLOOD RED THRONE
Blood Red Throne – Nonagon
Reviewed By: Dennis van’t Hoofd
Review Score: 8.0
When Daniel ‘Død’ Olaisen and Tchort formed Blood Red Throne in 1998 they had a unique selling point in that the two of them played live for Satyricon, and the latter credited with bass on Emperor’s influential debut album In The Nightside Eclipse.
Fast-forward twenty-six years later and Blood Red Throne is now a well established death metal institute from Norway with guitarist Død and drummer Freddy Bolsø as the only remaining founding members. With Nonagon Blood Red Throne releases their eleventh studio album with new vocalist Sindre Wathne Johnsen, who replaces long time frontman Yngve ‘Bolt’ Christiansen.
The nine tracks on Nonagon are conceptualized around the nine concentric circles of torment located within the earth as described in ‘Inferno’, the first part of the fourteenth century poem ‘Divine Comedy’ by Italian writer Dante, but the lyrics are free for interpretation. Ever since their 2001 debut album Monument Of Death or 2002’s Affiliated With The Dead, Blood Red Throne have been delivering relentless death metal strongly rooted in early nineties US death metal and Nonagon is no exception to that rule.
Blood Red Throne stay true to their sound and treat us with yet another pounding death metal release, full of technical riffs, fat grooves and slamming parts. Musically, Blood Red Throne mixes the brutality of Cannibal Corpse and the melodic grooves of Amon Amarth and out comes a fine blend of old-school groovy yet technical death metal. New vocalist Sindre Wathne Johnsen delivers a great job with his versatile death grunts and high pitched screams and is a great addition to the line-up of Blood Red Throne.
Fans of groovy no-nonsense death metal with a great full-sounding production should definitely check Nonagon out. The album is out now via Soulseller Records.
ALBUM REVIEW: NECROWRETCH
Necrowretch – Swords of Dajjal
Reviewed by: Kenneth Gallant
Review Score 9.0
You have to love it when a band can build tenure in any musical genre. When a band like Necrowretch is eating up fifteen years in the business it’s quite a feat. Now I say this having very little exposure to the band’s discography, but upon hearing their latest effort, I have to say I’m quite impressed.
The album in question is Swords Of Dajjal and it’s due out February 2nd on Seasons of Mist Underground Activists. What you get here is an album clocking in around thirty-seven minutes of the blackened-death variety and it only took three years in the making according to the band.
This is also album number five, coming upon the heels of the whole world shut down debacle of COVID, and it’s quite an interesting back story as to how this record came about. For starters, the previous release The Ones From Hell (came out in 2020) was meant to give the band a huge push right out of the gate. A European tour was put together with Kampfar and Taake, but that was quickly squashed when the pandemic erupted. The band was forced into shutdown mode, so they decided to write some new songs.
These songs gave the band a chance to upgrade their power and depth as a musical entity and according to singer Vlad, he took singing lessons to meet that challenge, along with upgrading their gear and tuning the sound. What came about afterwards is a sound of intensely written black metal, but with more variety and some death metal layering in for good measure.
This all sounds exciting, so when perusing over the press-kit materials I quickly realized the band means business on this new release. So without further adieu, here’s some of my analysis on what to expect with Swords Of Dajjal.
The guitars are out front on the opening track ‘Ksar Al-Kufar’, along with Vlad’s raspy vocal delivery in a pronounced way. He sounds immediate here and I’m liking what I am hearing. There’s some nice ominous passages that start up on ‘The Fifth Door’ right out of the gate. The commanding drone of the guitars reach my ears quickly and Vlad layers his vocals with a fiery passion. The song spirals into a meaty mid-section and I am completely enthralled with this new sound.
‘Di Mauri’ begins with a demonic passage of speech and blackened guitars that spew out a tone of nastiness. The band’s new drummer N. Destroyer is on fire and I’m getting some early-era Entombed vibes here tonally. The pace quickens on the title track Swords Of Dajjal because those riffs take centre stage and provide meaty fisticuffs before sprawling into a doom laden passage. This is definitely some serious stuff happening and we’re only half-way through the recording.
It’s hard to tell what is being said lyrically, but I suppose ‘Numidian Knowledge’ is waxing poetically on the ways of this semi-nomadic tribe known as the Numidia population. As esoteric as it sounds, the song spirals out like a group of monks deviating from their daily ritual of prayers and mediation and embarking on some bloodletting. It’s a pretty cool song for the most part and I do like the snaky passages leading up to the end of it. The next track ‘Vae Victis’ is a black metal staple with all the fixings, as the guitars drone along until the stark turn into barked out death vocals and blasting guitars. It’s such a great way to end the number.
‘Daeva’ is a short instrumental track that follows; getting punchy and straight to the point. However, it’s contrasted by the closing number ‘Total Obliteration’ as being the longest track here. You get some precision drumming and drony guitars to start out, but Vlad’s vocals are shouted out and seem to give the song some added extra dimension. There’s a smooth transition into the eerie sounds of hands sliding across the neck of the guitar strings that is a really neat effect to bring an end to the proceedings. I have to say this track concludes with a bang and it compliments the other seven tracks before it.
I have to say this is a banger of a release! It’s built upon a new and improved sound, plus it expertly straddles along the genres of both black and death metal. Vlad’s vocals are a high point for me and you can’t go wrong with a band who puts its best foot forward in earnest of improving their sound overall. Let’s see what they do on the live concert circuit in 2024.
Swords of Dajjal will be released February 2, 2024 on Season of Mist
The Metal Pit’s Top 15 of 2023
Obituary – Dying Of Everything
Overkill – Scorched
Primordial – How It Ends
Cannibal Corpse – Chaos Horrific
Dying Fetus – Make Them Beg For Death
Hellripper – Warlocks Grim And Withered Hags
Enslaved – Heimdal
Suffocation – Hymns From The Apocrypha
Katatonia – Sky Void Of Stars
Tsjuder – Helvegr
Incantation – Unholy Deification
Blackbraid – II
Tomb Mold – The Enduring Spirit
Tailgunner – Guns For Hire
Prong – State of Emergency
Like clockwork, each and every year metalheads compile a list of their favorite albums that destroyed their earholes for the year, and 2023 was no different.
So, what was it about 2023 and metal releases that made this year so special? For starters, it was certainly the year of death metal. Who would have thought that thirty-five years after the release of many of the classic albums that birthed the genre that we would be here today still critiquing albums from these bands?
This year saw some incredibly relevant albums from many of our death metal overlords, which included Cannibal Corpse, Suffocation, Incantation, Dying Fetus, and Obituary. In fact, all five made The Metal Pit’s year-end list, with Obituary taking the number one spot. Additionally, we had one contemporary death metal band, Tomb Mold, make our list, with many of our contributors placing it quite high. It’s good to see death metal so strong all these years later.
Similarly, black metal proper has been infecting ears over the last thirty years yet remains just as strong today as it did back in those early church burning, murderous days. This year saw some stellar releases from the Nordic contingent with albums by the mighty Enslaved and Tsjuder (the latter releasing one of their most vicious albums yet). Again, we had a couple of contemporary black metal albums make our year-end, which includes newcomers Blackbraid and Hellripper.
If The Metal Pit’s year-end list is any indication, 2023 wasn’t quite the year of thrash, with only a couple of albums making the list. That said, one of those albums, Overkill‘s Scorched, scored the number two spot. A fantastic album that showcases the consistency and relevance of this legendary, genre-defining band. We once again have to speak about Scotland’s Hellripper (who we previously mentioned when discussing 2023’s black metal releases). When it comes to thrash, Hellripper certainly fits the bill, with a ton of killer riffs that display a decidedly 80s thrash attack. Definitely a band to watch out for.
Rounding out our list we have few outliers, two of whom comfortably fit in the alternative metal category. The first of those bands is Prong. Another legendary act who released perhaps their best album since 1990’s Beg to Differ and 1991’s Prove You Wrong. An incredible album that showcases the relevancy of their crossover take on thrash and alternative metal. The UK’s Tailgunner was probably the surprise band of 2023 with their debut full-length Guns For Hire, an album chock-full of solid metal goodies. Quite the feat for a band that has only been in existence for a few short years.
The last band of our list, Swedish legends Katatonia, is a band that I’m certain makes year-end lists for each and every album they release. They truly are one of the most consistent heavy bands in existence, and this year’s Sky Void Of Stars once again proves this.
The Metal Pit is looking forward to a bevy of releases in 2024… stay tuned, as we will definitely be covering tons of metal this coming year! We thank you for supporting us and are looking forward to seeing you all in the PIT!
Interview with Tomislav Perkovic – Drummer for Elm Street
Photo by Vidic Images
Our writer Tom Elke connected with Tomislav Petrovic, Drummer Extrordinaire for the Australian Band Elm Street for a “Q & A Session.”
Tom Elke: Hi Tomislav, Thanks for joining me! It’s great to chat with you. I want to get into all things Drums with you, but why don’t you get us up to speed on what’s going on in the Elm Street Camp. Of course the new album, perhaps some touring plans, etc?
Tomislav Petrovic: It’s been busy and exciting year. We always had plans to finally release our new album after COVID delays with studio time. We started off back in the studio finishing off the recordings and at the same time, had a few shows in Australia with Udo Dirkschneider, which were our first shows back since 2021. Since releasing the album in October this year, we’ve been focused on promoting the album with live shows around Australia and have some exciting plans to extend the live shows overseas in 2024. We’re hoping that the wait between the next album, won’t be so long and we’ll begin writing soon.
When did you start playing the Drums? What made you interested in them?
TP: When we formed the band called ‘Raid’ at the time back in 2003 in high school none of us knew how to play any instruments. We were heavily influenced by Iron Maiden at the time(still are). Aaron, Ben and myself all wanted to play guitar and have 3 guitarists in the band. My older brother Roko plays guitar and I wanted to get lessons from his teacher but there were no spots available. I waited 6 months hoping someone will quit so there could be a spot for me haha but that didn’t happen and my brother suggested to give drums a try. I did, I found my drum teacher Simon Gatt at his school Rhythmic Passion and I’m glad I did.
You’re associated with DW Drums, how did that come about?
TP: I’ve always wanted to play DW drums for many years and lucky for me a friend of mine Joe Torre who is the drummer for Aussie artist Shannon Noll was signed with DW at the time. He guided me in the right direction, I signed with D’addario who distribute DW, Pro Mark sticks and Evans drum heads.
Take us around your set-up. I love the Arial Toms and some of the smaller “Octobon” like Toms.
TP: The set up I have right now has been in my mind for many years and I couldn’t quite figure it out until this year. Slowly over the years I’ve added toms, experimented with different heights and angles as drummers do and finally worked it out! I bought a few lengths of stainless steel tubing and a pipe bender and through trial and error I managed to come up with what you see on this new album. New additions I’ve added are 8×6, 8×8, 8×10 rack toms. 4 rata toms at 6×14, 6×16, 6×18, 6×20 and lastly my favourite my mega 20×20 floor tom that actually hangs off the rack. haha
I love how you use you China’s. Take a Track like “Sabbath,” you just shower the listener with China Cymbal strikes in the Intro. Share some thoughts on your utilization of the China’s.
TP: Great question! I love it when my cymbal work gets noticed haha always great to hear! ‘Sabbath’ is one of my favourite songs to listen and jam out too. The way I approach using the china cymbal is where does the song need more colour by accenting certain guitar sections or vocal lines. ‘Sabbath’ was an easy one because it’s so energetic but also there’s room to breathe.
Will you be able to bring your DW Set with you when you go out on tour? Or will it have to be Backline/House Sets?
TP: Unfortunately I’m not in the position yet to use this set up live. But if I had it my way I definitely would! So for now backline would have to do.
If you would like, just comment on using Backline/House Sets. I as a Drumming Fan find it frustrating when a Drummer has to do that. Your set-up is a very personal, specific to your wants/needs with how everything is in place. So I always get frustrated by that whole concept.
TP: In my early years of touring I used to get frustrated about using backline, especially when the quality of the hardware isn’t the best because cymbals always tend to fall during songs and we all know how frustrating that gets! As I’ve gotten older I try not to let it get to me. Going through those challenges make you a better drummer so I just I smile at the boys and get the show on.
Do you have any Drummer favorites? Or who influenced you?
TP: I have many drummers who have influenced me over the years. Growing up I really liked the style of Nicko McBrain, Vinnie Appice, A. J. Pero, Tommy Aldridge and my drum teacher Simon Gatt. When it comes to set ups I was influenced by Robert Sweet of Stryper, Nick Menza of Megadeth and Scott Rockenfield of Queensryche. Especially his set up on Operation Mindcrime. The last few years drummers like Mike Portnoy, Thomas Lang and the late great Dom Famularo have inspired me.
What would you say to young _Or older) Drummers out there who want to improve their skills?
TP: The most important thing about improving as a player is consistency. Try to play as much as you can everyday even if it’s only 20 minutes. Also keep in mind when sitting behind the kit try not to get distracted by noodling around and try to focus on metronome work, exercises, learning new styles etc…
Any parting words or anything you would like to mention in closing?
TP: Tom Elke thank you for reaching out, I had fun answering these questions. Im a fan of your posts. keep up the great work, thank you for your support, take care.
Thank you!!
TP: Thanks Tom! I had fun man. You’re a legend! Tomisla
