DARK FUNERAL, CATTLE DECAPITATION, 200 STAB WOUNDS, BLACKBRAID

May 27th, 2023

Toronto, ON @ The Phoenix

Photos By: Kim Baarda

Words By: Jason Deaville

BLACKBRAID

Hailing from the solitude and splendor of the Adirondack Mountains in Northeastern New York, black metal phenoms Blackbraid started the night off with a set of songs that entranced and hypnotized the unsuspecting early arrivers. Opening with ‘The Spirit Returns’ (from the forthcoming album Blackbraid II), the band immediately set a tone inspired by the beauty of nature and native American mythology, weaving together to create a tapestry of spiritual-yet-still-vicious musical art.

Sgah’gahsowáh (aka Jon Krieger), who also serves as the band’s songwriter and creative, showcased his natural ability and comfort as a front-man on the second song, ‘The River Of Time Flows Through Me.’ Like a hunter priming a spear, Sgah’gahsowáh launched his mic stand straight into the air and proceeded to destroy his prey with a volley of blood-curdling black metal shrieks.

At this point, the energy in the venue was one that saw the band and fans merged as a singular soul in a cosmic void of mind-altering black metal. Invoking the fated hand of twilight, the band launched into ‘Moss Covered Bones On The Altar Of The Moon’, another song from their upcoming sophomore effort. They followed this up with the equally alluring ‘Barefoot Ghost Dance On Bloodsoaked Soil’, which highlighted, to perfection, the band’s use of traditional Native American atmospherics.

If tonight’s performance was any indication, Blackbraid are absolutely deserved of the hype that surrounds them at this time. We at The Metal Pit anxiously await the new album, which drops on July 7th.

200 STAB WOUNDS

Murder metal. It’s a thing. One needs to look no further than the legendary Macabre, who basically wrote the rule book for Murder Metal. The second band of the evening, Cleveland, Ohio’s 200 Stab Wounds, have apparently been studying very hard from the Macabre handbook, as they delivered an absolutely brutal set of stab-you-in-the-face songs from their three releases (2020’s Piles Of Festering Decomposition, 2021’s Slave To The Scalpel, and 2023’s Masters Of Morbidity).

Not only is their unique brand of old-school death metal (with touches of slam) filled with blood-soaked fun, the guys actually seem to play the serial killer persona up a bit. Guitarist, Raymond MacDonald, had a bit of a John Wayne Gacy thing going on, and bassist, Ezra Cook, an imposing figure on stage, could be mistaken for Jason Vorhees.

200 Stab Wounds certainly lived up to their name tonight, inflicting severe damage both mentally and physically. It could take weeks to recover from this.

CATTLE DECAPITATION

At this point in their career, vegan musical extremists Cattle Decapitation are clearly at the top of their game. As it relates to their live performance, if the house audio can handle the cacophony, you can rest assured that the boys in Decap will give a performance equally as impressive as their studio releases… and sometimes, like tonight, perhaps even slightly better.

Of immediate note, vocalist Travis Ryan stole the show. His vocal performance was pitch-perfect and absolutely crushing. This doesn’t take anything away from the rest of the band, as each member give it 1000%. Their setlist was a mixed bag of meatless goodies, handpicked from their nearly thirty years of recorded music.

DARK FUNERAL

Swedish melodic black metallers, Dark Funeral, proved tonight why they are headliners. First and foremost, is their ability to master the crowd through their surreal and otherworldly blackened metal magic. With the stage swath in icy, deep blue tones, the band’s frigid and glacial performance sent a chill through the venue. Vocalist, Heljarmadr, commanded the throngs of black-clad fans with ease, who hung on his every word.

The darkened ones steamrolled through over an hour’s worth of songs, pulled from their extensive catalog dating all the way back to their self-titled EP from ’94. Some highlights of the evening included ‘My Funeral’, ‘Secrets Of The Black Arts’, ‘Unchain My Soul’, ‘Let The Devil In’, and ‘Where Shadows Forever Reign’.

Helloween & Hammerfall Concert Review

May 23, 2023

Toronto, Canada @ History

Review/photos: Billy Klare

Helloween brought their United Forces 2023 world tour to Toronto, Canada on May 23 with special guests Hammerfall. This leg of the world tour includes this only Canadian date and twelve additional stops in the United States. Helloween return with the full “Pumpkins United” line-up including Kai Hansen (guitar / vocals), Andi Deris (vocals), Michael Kiske (vocals), Michael Weikath (guitar), Markus Grosskopf (bass), Sascha Gerstner (guitar) and Daniel Loble (drums). All four Helloween eras are represented with the original Kai led era, Kiske era, Deris era and the latest united version of the band.  

I was fortunate enough to see the Pumpkins United tour in 2018 on three different occasions in Germany (Wacken Open Air), New York and Montreal. All three concerts were outstanding so my expectations were sky high for this Toronto show and I’m delighted to report it was another amazing Helloween performance. It’s clear this expanded version of the band still enjoys touring and playing together. 

During the Pumpkins United tour, Helloween performed alone each night with lengthy extended sets but changed approach on this tour to include Sweden’s Hammerfall opening the show each night. Michael Kiske noted in recent interviews that show attendance is still uncertain in parts of Canada / USA so they wanted to diversify the line-up and help limit touring risk. Based on my previous personal experiences, the 2018 New York & Montreal shows were sold out but my friend attended the recent Dallas, USA show a week before this Toronto show and sadly the attendance was limited to just 300 – 350 people. I don’t know exact Toronto attendance numbers but I’m pretty sure it was at least a thousand strong and potentially more (it’s a large newer venue so difficult for me to judge).         

The show started with Hammerfall playing their own brand of melodic power metal which was likely influenced by 1980’s Helloween to some degree. The Hammerfall setlist was surprisingly broad with at least one songs from most of their discography (12 or 13 songs in total). The crowd enjoyed the performance helping sing all the catchy choruses. I saw many fans wearing Hammerfall T-shirts that night. I’m more of a casual fan but really enjoyed “Blood Bound”, “Let The Hammer Fall”, “Any Means Necessary” and the last song of the night “Hearts on Fire”. 

It was finally time for Helloween and the crowd was excited and eager to get started. The stage design was pretty straight forward. The elevated drum kit was surrounded by a large orange inflatable pumpkin with a large TV screen at the back of the stage playing various Helloween animation and other relevant clips throughout the show. The elevated drum riser provided room on each side that band members utilized during the show. 

Helloween kicked off their set with “Skyfall” from the latest self-titled album released in 2021. They also played “Mass Pollution” and “Best Times” from the new record. While I enjoyed hearing the new songs live for the first time, they just don’t hold the same nostalgia factor for me like the older classic material. Similarly, audience reaction was generally positive for the new songs but not to the same extent as the classics.   

The audience helped sing many of the old songs word-for-word including “Future World”, “Eagle Fly Free”, “Save Us”, “Dr. Stein” “How Many Tears” and the lengthy “Keeper of the Seven Keys”. I couldn’t wipe the smile of my face during these amazing songs that I grew up with. My one minor complaint of the night was the limited representation of the genius “Keepers I” album (only Future World was played). I certainly understand there’s no way to tackle everything on this tour with the band shifting to a normal set length and a new album of material to play. It’s clear to me the “Keepers I” and Deris era material was trimmed from the previous extended Pumpkin United sets. 

There’s often significant debate in the Helloween community around the Andi Deris era of the band but I was a big fan from day one. We were treated to a few songs from some key Deris albums including “Perfect Gentleman”, “Power”, and “Forever and One”. Andi sounded great live which is no small task when your singing beside the legend that is Michael Kiske. 

I loved the interaction and banter between Kiske and Deris as they sang together throughout the night. It’s evident to me they still enjoy performing together and egos are not getting in the way. It’s nice to see band cohesiveness remaining so strong. One key memory of the night was Kiske & Deris taking center stage sitting on stools singing “Forever and One” equally sharing the lines and chorus.

I continue to be impressed with Sasha on guitar who holds his own next to the legendary Hansen & Weikath which must be intimidating for a much younger guitarist sharing the stage with these metal veterans. Sasha has excellent stage presence and spoke to the crowd on multiple occasions, asking the audience at one point who was here from Quebec. He clearly knows the significance of the Montreal, Quebec metal scene and it’s importance within the overall Canadian metal scene. As a Montrealer, I thought that was pretty cool. 

The best memory for me occurred mid-set when kai took over the vocal duties and performed a medley of “Metal Invaders”, “Victim of Fate”, “Gorgar” and “Ride The Sky” followed by “Heavy Metal (Is the Law)”. Kai’s voice hasn’t aged as well as Kiske or Deris but getting the opportunity to hear the earliest original Helloween songs led by Kai who started the band is priceless for a long-time Helloween fan. It’s heavy metal history and I’m glad this material remained in the reduced setlist.  

The night ended on a high note with another classic Helloween song from Keepers II – “I Wan’t Out”. Significant audience singing participation encouraged by the band with large orange and black inflatable pumpkins falling into the audience. An incredible way to end a memorable night. Damn, I once again left the show without one of those coveted giant pumpkin souvenirs.    

I highly recommend this 2023 United Forces Helloween tour. These are true legendary heavy metal musicians who reunited to bring the fans a very special show. I think it’s probably safe to say this touring event won’t last forever and no guarantees of another world tour with the same original members (especially for us Canadians & Americans who only get a few shows every few years). It’s worth taking a mini-vacation traveling to one of these tour stops if you can. You won’t regret it.   

Note: The attached photographs were taken by me on my I-phone in the middle of the crowd and not intended to represent or replace professional level photography. I just wanted to share some clips from the show.  

Album Review: Y & T

Yesterday and Today Live 

Review by: Jim Harrison

Album Rating: 8.5

Y&T will release their Expanded Edition of their landmark live release of Yesterday and Today Live album on June 9, 2023 through Metal Blade Records.

A quick history lesson,Y&T (originally know as (Yesterday and Today) hail from Oakland, California started in 1972 and quickly became a force to be reckoned with bringing to the forefront a traditional heavy metal sound, and known for their live performances and superb sound.

Yesterday and Today Live (Expanded Edition) was recorded on December 29 & 31, 1990 at the San Jose Cabaret and encompasses many of their hits up to that date of time which covered nine studio albums.  The expansion is the addition of tracks “Earth Shaker” from their first album with a massive sound and is great live and “Rescue Me” that finishes the album with great crowd participation singing all words. These tracks make the live experience better and I always wanted this album to be longer. 

This will be a great live album addition to any metal collection. 

Bass guitar, vocals Phil Kennemore
Drums Jimmy DeGrasso
Lead guitar, acoustic guitar, vocals Stef Burns
Lead guitar, lead vocals Dave Meniketti 

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Album Review: WYTCH HAZEL

IV: Sacrament 

Review by: Jim Harrison 

8.5

On June 2, 2023 Wytch Hazel is set to release their fourth full length album  IV: Sacrament through Bad Omen Records (North American Distribution: Metal Blade Records) to fans worldwide.

The band was formed in the 2011 in Lancashire England and is classified as a hard rock/metal act but I feel they project a  progressive metal direction.  My first listen they create a Blue Oyster Cult vibe with the thick sound of Deep Purple producing a unique sound that is all their own. Colin Hendra, founding vocalist/guitarist voice really shines on this record and the harmonies are catchy.

Some of the stand out tracks start with the first song “The Fire’s Control” with a really cool sound and a great harmony and guitar riff that is catchy leading into “Angel of Light” with strong lyrics about hope and again with a strong vocal performance by Colin. Track four starts off with a heavier guitar riff then the drums kick in allowing  the vocals to stand out.  Tracks “Deliver Us” and “Endless Battle” are both my personal favourites, focusing on great lyrical content and both songs giving that “ear worm” where you find yourself humming along after the tracks have ended and these would make a great addition to a live performance.

When bands hit their fourth album typically this is when they hit the ground running and this is no different for Wytch Hazel.  This is a mature, well written musically sound album with a great vocal performance.  You can feel this album has been a labor of love and being a new fan I am hooked.  The progressive sound and crisp production really separates  their distinctive sound from what’s out there, I recommend checking this out.

Colin Hendra Vocals,Guitar,Drums
Alex Haslam Guitar 
Andy Shackleton Bass
Aaron Hay Drums 
Ed Turner Mandolin/Mellotron
Drums in this recording by Colin Hendra