KEIFER BAND, WINGER, AND JOHN CORABI

BROUGHT TO YOU BY: MARSWORTH

ALL PHOTOS TAKEN BY: DYE HARD PHOTOGRAPHY

LOCATION: Harrison, Ohio

VENUE: Blue Note

DATE: June 17, 2023

JOHN CORABI


WINGER


KEIFER BAND

ALBUM REVIEW: THE ARCANE ORDER

Distortions from Cosmogony

Review by: Jim Harrison

Rating: 8.5

Danish extreme metal band The Arcane Order released their fourth album, Distortions from Cosmogony June 9, 2023 via Black Lion Records to fans worldwide.

I like this band’s ability to meld extreme, black, death, doom, topping off a melodic metal sound. If you are a fan of any one of these genres than you are in for a real treat. The songs showcase what I love about metal, great melody, extreme sound that is  quite catchy, really delivering a metal experience that is all it’s own.  It’s great that in 2023 we have bands like this who create such groundbreaking albums bringing something new to the listener.

The album starts with a quick intro ripping into the first track and single released “Cry Of Olympus” which is like a punch to the face, getting your attention.  It sets the pace of what this album is all about and is one of my favourite tracks. Vocalist Kim Song Sternkoph sounds fantastic on this track. Next song “A Blinding Trust in Chosen Kings” starts with a massive drum beat, strong bass and duelling guitars and again those low growling vocals really suit this song.  It slows about halfway through then the vocals run high creating a melodic interlude and finishing brutally strong. Both tracks “Starvations For Elysium” and “Flavours For Significant“ have a strong bass and drum beat that pound the listener into submission. We hit a musical interlude with “Empedocles Dream” and then smash into “The First Deceiver” where the vocals just launch this song into the stratosphere. “Ideals of  Wretched Kingdoms” has my favourite lyric in it with “Of what is true or right or real, But forced to qualify or so I feel.,Or well,  it does seem so: someone must know”. This is my other favourite on the album. The next track  “Children of the Erebos” has more of a heavy melodic feel to it, the vocals going from low to high make this song actually catchy and has a great flow it it. The last track “Wings of Duality” finishes  the album off in style. The lighter doom sound with the pounding of the bass and drums sound awesome turned up on my system. I really like the low vocals then punching them high on the pounding drum parts.  This song has great flow and would be awesome live.

The albums artwork by Ars Moriendee is absolutely stunning keeping in line with the theme of the album looking inward and challenging one’s self. 

At fifty eight minutes this album has something for all metal fans. It’s extreme, fast, technical and well written. The musicianship and vocals keep true to their identity and this is where they shine. I am hoping many new fans check this out as it will only enhance your play lists. I recommend picking this up. 

Kim Song Sternkoph  vocals 
Fleming C. Lund.        Guitar 
Kasper  Kierkegaard   Guitar 
Anders Frodo  S. Mikkelsen Bass
Bastion Thusgaard      Drums 

Interview with RED CAIN

Georgina talks with Alberta, Canada’s RED CAIN. This prog power band released their new album NAE’BLIS on June 2nd. Born out of the vast prairies and snowy peaks of Alberta, Canada, RED CAIN is a modern progressive metal project with Eastern European roots. With intricate songwriting, powerful vocals, eerie soundscapes and strong electronic-backed groove.


THE METAL PIT: (Georgina) How did you choose your band name and what is the story behind it if any?

RED CAIN: It was a name chosen to evoke strong visual imagery with the colour red, and connect to our interest in storytelling – with one of the most well-known stories told, that of Cain and Abel. With time, the name embodied our brand and became more pragmatic as something easy to remember and capturing the high-level essence of the band. Makes for a great logo as well.

How long has your current band lineup been together?

In totality, just for this release. Sam Ridout and Kalie Yan joined for just under a year ago, and have been integral parts of the band since. 

What’s the story behind your latest album and new release NAE BLISS?

It’s a play on the term “Nae’blis”, which in the Wheel of Time lore, is the title of the Champion of the Great Lord of the Dark, the antagonist of the series. The umlauts are a nod to Swedish metal, which inspired some of the work on this album, including most recently bands such as Vildhjarta and Humanity’s Last Breath, as well as mainstay influences Opeth and Meshuggah.

In terms of the concept, it follows four of the Forsaken, the antagonists of the Wheel of Time series, and their motivations and struggle against the Light and its champion, the Dragon Reborn – framed as a struggle against stagnation and the status quo that the cyclical nature of the Wheel of Time universe represents. They are agents of Chaos, revolutionaries fighting for freedom from the shackles of the Wheel. 

Are there any plans for touring in support of your latest release?

We are working on this, and would love to do a European tour and meet our most vocal and involved fans there – as well as make some new ones. 

What genre of music would you say your band falls under?

Many – we’ve made it our mission to have multiple influences that reflect our own interests as musicians in each release. We’re firmly rooted in power metal, of course, but we’ve always had strong gothrock, prog, and now even death metal influences in our albums, especially the latest release. Frankly, we prefer it this way, and it is interesting both for us as musicians and our fans. 

Where is your hometown and can you tell us a little about the place?

Calgary, Alberta! We’re famous for the yearly Calgary Stampede celebration, beautiful mountain scenery, and an underachieving hockey team.

Who are some of the band’s influences?

We frankly have a massive list, but the core ones are Kamelot, Symphony X, Tesseract, and more recently, Meshuggah and Opeth. We’ve also aimed for a modern electronic-backed sound similar to bands like Periphery, Amaranthe, etc. And we always love to include some gothrock influence from bands such as Charon, 69 Eyes, Lacrimas Profundere. 

I absolutely love the band’s diversity. Can you introduce us to each band member and where they are from and what they do in the band?

Thank you! Evgeniy is originally from Russia, where he went through music school and received a classical education with a focus on piano. He came to Canada when he was a teenager and switched focus to rock and metal after embracing the local music scene and falling in love with the genres. Red Cain is a product of his musical vision.

Sam is a talented and extremely technical guitarist who made his name through playing jazz in various local open mic nights and perfecting his technique at the grassroots level. Red Cain is his first step into professional musicianship, and he has already had a massive influence on the band’s sound, sharing songwriting duties with Evgeniy on “NAE’BLISS”.

Taylor is a long-time Red Cain member and a stable, consistent, rock-solid presence on the back end. His true love is thrash metal, with bands like Artillery, Megadeth, and the more aggressive releases of Devin Townsend.

Kalie is a talented multi-disciplinary musician who has a presence in the Chinese market in the hip-hop genre, and is an extremely versatile vocalist, contributing growls to the latest Red Cain album, as well as playing live bass. She is a great asset to the band. 

Andrei is a virtuoso guitarist who perfected his skills and pursues a career as a guitar teacher as well as his musical work. His neoclassical style is an homage to his idols Yngwie Malmsteen, Buckethead, and Steve Vai, and he brings another facet of Eastern European musical tradition to the band, hailing from Romania. 

Do you have any other albums out? If so, what are they called and where can they be found?

We have three other albums: a self-titled EP, and two concept albums, Kindred: Act I, and Kindred: Act II. All are available anywhere music is sold or streamed, or directly from us at redcain.bandcamp.com

Do you have any upcoming shows or tours?

We have recently played some local shows and are in the process of planning a larger touring presence. 

Do you have any funny or interesting stories from being on the road that you can share with us?

Not yet – but we plan to soon!

What are some of your favorite songs to play live?

Our Eastern European anthem “Hiraeth” from our debut EP won us the YYC Best Metal Recording of the Year music award, and is still a fan favourite that we love to play live. 

What do you hope people take away from your music?

Part of the vision of the band was to capture pagan Slavic musical tradition where songs and stories were used as a unifying force that paid homage to Slavic gods who stood shoulder to shoulder with the common people, and passed on timeless stories listeners. Likewise, we love to tell stories and transport listeners to a different setting. Listening to a Red Cain track is meant to be an encompassing, full experience, and there is always something new to be discovered through multiple listens. We hope that every fan can shape their own interpretation, visual and aural, from the music that we release, and that we can take them with us on the wild ride to whatever world is vividly portrayed in our songs. 

Who are some of your favorite tour partners or collaborators that you’ve worked with so far?

We really enjoyed working with Kobra Paige of Kobra and The Lotus on our track “Wing of the Crow” where she featured as a guest vocalist. She put up a brilliant performance that completed our vision, and was an absolute professional and lovely to work with. 

What are some of the band’s upcoming projects?

We are already thinking about upgrading our live show for our fans, and working on the vision for our next release!

What is the best way to contact the band?

You can reach us at redcainarmy@gmail.com,
Instagram @RedCainArmy
Facebook at Red Cain Official.

How can fans stay up-to-date with the band’s activities?

Our Instagram and Facebook are the best ways to do so. 

What merchandise does the band sell, and where can it be purchased?

We primarily sell our music as digital tracks, but we do release shirts and physical CDs based on certain releases.

Is there anything you would like to tell your current fans and new ones while they read this interview?

We’d love to hear from you about our latest release, or anything at all! Fans are a huge reason for why we make music, and we love to keep a dialogue with you wonderful people. Check out the album, and listen to more Canadian music – we have plenty of massively talented artists in the great white North. Thank you for listening!

Thank you for this interview. 

Thank you for sharing and taking the time for this interview…

RED CAIN ARE:

Evgeniy Zayarny: Vocals
Samuel Ridout: Guitars
Andrei Buldan: Guitars
Kalie Yan: Bass/Vocals
Taylor Gibson: Drums

***Interview by Georgina Strilakos

Album Review: CREEPING DEATH

Boundless Domain

Reviewed by: Anthony Prugo

Rating: 7.5

Well here is my first review for The Metal Pit and what a doozie it is. I had to listen to Creeping Death‘s Boundless Domain several times before I could tackle it.  So rather than give an in-depth review on each song I thought it best to break it down as whole from two different perspectives.  Perspective 1 is me (who considers Slayer‘s Reign In Blood classic metal), and Perspective 2 is the same me who is just getting into Death Metal.

Perspective 1

Wow this is pretty good.  Sounds like Grave, Morgoth, Gorguts, Cannibal Corpse (which, of note, George Corpsegrinder is a guest vocalist on the track two of Boundless Domain), Obituary, and at one point My Dying Bride. Speaking of Cannibal Corpse, you will most certainly hear Evisceration Plague here.

Pretty much everything on here brings back memories of when death metal was in its glory days. While there is no copying, the influences are right in your face. And that’s not a bad thing at all. Boundless Domain brought back a lot of nostalgia. A great introduction to the band, and a scorching release that sees more brilliance to come.

Track #2 sees George Corpsegrinder Fischer (Cannibal Corpse vocalist) take on some vocal duties. You would never know it, though, as his vocals sound a bit buried.

Closer to the end of the album we can hear that things are slowing down a bit.  Either they were getting more melancholic or perhaps were running short on ideas. Regardless, the songs hold their own and make the final turnout of the album into some great tracks. I suggest giving this whole album at least one full listen. It will grow on you.

Perspective 2

“Hey guys you, have you downloaded the latest Creeping Death?  It is freaking brutal!” Yes, to the younger death metal fans just starting to get into the genre this is a fabulous gateway album and hopefully it encourages them to explore the roots of the genre.

Overall, this a great album for young and old.  For fans that like the mid-tempo crushing chugging style this is a real treat. There are only a couple of blast beats, but that is not what this album is about.

With more time, good things will continue to creep up

Album Review: HELLWITCH

Annihilational Intercention

Reviewed By: Jim Harrison

Score: 9.5

Floridian thrash pioneers Hellwitch will release their new album Annihilational Intercention June 30, 2023 (physical release) on Listenable Records. They started back in 1984 hailing from Gainesville, Florida and have pushed the boundaries of blackened thrash metal to the extreme. Founding vocalist/guitarist and frontman Pat Ranieri leads the charge with a voice full of character that gives Hellwitch their distinctive sound. Coupled with guitarist J.P Brown and drummer Brian Wilson whose talents really showcase how musically talented this band is plus the album artwork is awesome.

I have to start off with the last track on this album as I have a cool connection to it from my early youth.  ‘Torture Chamber’, from Transgressive Sentience demo in 1986 ended up on a thrash compilation called Thrash Metal Attack in 1987.  I had a friend who used to vacation every summer for a couple of weeks in Florida who brought this back and I copied it. This was our favourite track on this compilation and it reminded us of early Metallica, every time I hear this song it brings me back to my high school days. This album breaks an early thrash metal sound, bringing it forward and making it totally relevant.

The album starts with a killer track ‘Solipsistic Immortality’ that could easily fit on any Slayer album. This is a heavy track that starts the album off with a bang! ‘Delegated Disruption’ begins with a fantastic drum beat then the guitars rip in, Pats vocals are awesome producing a classic thrash sound. Track three ‘Megalopalypytic Confine’ sounds like we were heading into a Deep Purple beat then it changes direction, fast and furious. 

Next is a short instrumental when we slide into the track ‘Hellwitch’, my favourite track on the album. This is thrash, old school thrash. Whoever said metal is dead in 2023 needs to listen to this song it gives me goosebumps, it’s that good. ‘Epochal Cessation’ follows another classic thrash recipe leading into what I thought was a slower track ‘Anthorpophagie’, the longest song on the album. When this song hits the  two minute mark it takes off. This is more of a blackened thrash song that sounds like it has a bit of an Overkill influence adding their own stamp on it. The next song ‘At Rest’, continues the assault. I would love to see this track live. The energy from this track would fill a venue with absolute mayhem. There will be a cover of Sweet Home Alabama on the vinyl version release only, that I can’t wait to hear.

The cover art is fantastic and was created by Khaos Dictator Design and captures the essence of this album.

What I love about Hellwitch is the honesty of their craft and they stay true to their roots. For any metal fans looking for a killer album that takes no prisoners check this out.  I  highly recommend this album.