ROTTING CHRIST, CARACH ANGREN, UADA, GAEREA

March 4th, 2023

Toronto, ON

Photos By: Kim Baarda

UNDER OUR BLACK CULT @ LEE’S PALACE, TORONTO

You know you are in for one hell of a night when attending a tour dubbed ‘Under Our Black Cult‘. Tonight, the hell was literal and all-consuming.

With the bleak and blustery backdrop of a Canadian winter in full swing, the buses rolled into Toronto carrying a blackened collective of both legendary and contemporary black metal bands, all gathered for an evening of spastic and crushingly-heavy performances.

GAEREA & UADA

Starting the night off, Portugese blackened metal band Gaerea and US west coasters Uada delivered highly-energized and dynamic performances that filled the sold-out venue with a malevolent-yet-seductive aura. A perfect combination to kick the blackened festivities off.

CARACH ANGREN

With the Lee’s Palace crowd thrown into a fevered, blackened pitch, it came time for the pandemonium of Dutch symphonic black metallers, Carach Angren. From the opening notes of the spooky ‘The Ghost of Raynham Hall’ to the closing crescendo of ‘Bloodstains on the Captain’s Log’, the wickedly devilish characters of Carach Angren summoned forth what could only be described as a symphonic black metal circus sideshow from the fiery depths of purgatory.

ROTTING CHRIST

The Greek institution known as Rotting Christ need no introduction. Having just celebrated their 35th year in existence, you can rest assured that these guys will always deliver a battle-hardened, ear-crushing sonic performance. On record, Rotting Christ are unparalleled in heaviness and ambience, a bewitching marriage of blackened impetuosity. On stage, they manage to bring the same level of nefarious enchantment, yet amplify the auditory denseness ten-fold.

The Greek ones have certainly perfected the art of performance, captivating their audience through a dozen songs from the formidable catalog, ending with an audience-approved encore of their deliciously classic ‘Noctis Era’.

Album Review: HAMMERHEDD

Nonetheless

Review Score: 9.0

Reviewed By: Jason Deaville

Let’s take this back. All the way back to the year 1990. Now, for those of you long enough in the tooth, you’ll likely remember ’90 as one hell of a year in metal. I won’t get into any of the details here, as you can do that by checking out my 1990 Year In Metal retrospective. To sum up, 1990 will always be known as a year of musical discovery. One of those discoveries came in the form of an album titled Beg To Differ, the incredible sophomore effort from New York City’s Prong.

The influence and impact of Prong in the early 90s cannot be understated. Both Beg To Differ and the follow-up, Prove You Wrong, went on to inform countless bands in the realm of groove, thrash, crossover, and alternative-metal, literally paving the way for bands such as Gojira, System Of A Down, Skinlab, Pro-Pain, Volbeat, and Lamb Of God. In fact, for better or worse, it could be argued that Prong was directly responsible for nu-metal, which sprung into existence a mere four years after Beg To Differ, with Korn‘s self-titled that dropped in ’94.

With the groundwork laid, let’s jump ahead to the turn of the century. In that time, metal had not only endured, it thrived. With the new century came Kansas City’s Ismert brothers (Abe, Eli, and Henry), all born in the first decade of the 2000s. In 2012, at the ages 4, 7, and 9 years old, the brothers would form the band Hammerhedd. Just a few short years later, the boys would release their debut EP, Essence Of Iron (2018), followed by their debut full-length, Grand Currents (2020).

To my pleasant surprise, both the EP and debut album came chock-full of Prong-like groove, and would go on to receive critical-acclaim, quite the feat considering their ages at the time of both releases. To these ears, it’s like they literally channeled Tommy Victor, spewing out all the dirty-yet-slick elements of Prong‘s Beg To Differ and Prove You Wrong. Magically, Hammerhedd took me right back to the early 90s, a time and place that holds many of my very best musical memories and discoveries.

Thankfully, Hammerhedd have once again proven that they are anything but a two-trick pony with their brand new, self-released album, Nonetheless. The album continues on with the groove-laden approach of their previous two releases yet, this time, there is a marked maturity in both sound and execution. It’s immediately discernible that the alt-metal elements are more pronounced, weaving in and out of the groove metal tapestry that is the core of their sound. If that weren’t enough, the boys sneakily drop tinges of both industrial and hardcore, combining to create a perfect sludge of relentless rhythms and brutal distortion.

As the album winds down, things take an unexpected turn. The quadrumvirate of ‘Fruition’, ‘Down The Hall And To Your Left’, ‘Synthesis Pt. 1’, and ‘Synthesis Pt. 2’ all combine into a trippy, prog-inspired experience not unlike the more hallucinogenic elements of Voivod‘s Nothingface, including, believe it or not, the tone and cadence of Voivod vocalist, Snake. Yep. Hammerhedd vocalist Henry and his merry band of crushingly-heavy brothers perfectly capture the sublime weirdness of the Montreal legends, intentional or not.

Without doubt, the three-piece juggernaut that is Hammerhedd are here to stay. Let us not forget that some of the most influential and successful bands to ever have existed are power trios: bands like Rush, Cream, ZZ Top, Melvins, Dying Fetus, and Motörhead. This is incredible company to keep. Considering their age and already-proven skills, the skies the limit for these exceptionally talented brothers. Stay tuned, as they are only just getting started!

DISTANT SHOWS THEIR HERITAGE 

BROUGHT TO YOU BY: MARSWORTH

Brutal deathcore headbangers, Distant, are set to release their third full-length record under the name of Heritage via Century Media Records. The Netherlands and the Slovak Republic have produced some of the best and most notable death metal bands, and this is no exception. The group has been serving up pure metal to their loyal and trustworthy fans for nearly a decade and have no plans of stopping or slowing down. The band’s intensity travels through every word of their tracks to every one of their 266,000 Spotify listeners. Value of their music along with their listeners is truly unmatched and electrifying. Distant is fully prepared to show us their “Heritage” in the world in which they have single-handedly engineered.


Distant is:

  • Alan Grnja- Lead vocals
  • Elmer Maurits – Bass
  • Nouri Yetgin – Lead guitar
  • Vladimir Golic – Rhythm guitar
  • Jan Mato – Drums

Shall we talk about the elephant in the room? The band has broken standards and fought social norms by having a track with 16, you read that right SIXTEEN, guest vocalists. It’s absolutely unprecedented to have such a number of rockers on a track that isn’t charity related. Grnja said that the collaboration between the 16 singers was similar to the crossover between Spider-Man and the X-Men in the early 1990’s. Bringing such a fun anecdote to such a driven and virtuosic band makes the possible initial shock down a few notches to where it can be enjoyed by more than metal fans. In addition to such a powerful mid-record track, from track one all the way to twelve is such a journey in which no other downtempo band has done before and it feels monumental to be a part of history such as this. After having a whole pandemic to marinate in their tracks, the group had made their alterations until their masterpiece, Heritage, had wrapped production and is currently ready to hit the market in early February this year. Whilst using vivid imagery, the record comes to life before your very eyes which isn’t the easiest thing to master, but Distant makes it look easy.

The roar coming from Grnja is out of the world and gives me goosebumps every time I hear his voice come through my headphones. The genuine nature to the band as well as vocals is audible, especially embedded within this most recent record. Perhaps the heaviness behind the tracks goes to show the bona fide, unadulterated complexion of a world renowned metal group. The journey from “Acid Rain” to “Plaguebreeder” is a story in which will be put on stage in the coming months when they join Bodysnatcher, Angelmaker, and Paleface on tour. They all hope to see fellow metalheads throwin’ up their horns at a show near you! 


MARSWORTH SAYS: 8/10

TRACK LIST:

1. Acid Rain
2. Paradigm Shift
3. Born Of Blood
4. The Grief Manifest
5. Exofilth
6. Argent Justice
7. The Gnostic Uprising
8. A Sentence To Suffer
9. Human Scum
10. Heritage
11. Orphan Of Blight
12. Plaguebreeder

1984 Year in Metal

1984 Year in Metal

Flashback to 1984

1984: Was More than just the title of George Orwell’s novel. The year was pivotal in the development of heavy metal, as both thrash and power metal became more than just a paradigm archetype. Meanwhile, the giants of the genre continued to grow bigger than ever, maximizing platinum sales, sold-out tours, and extensive airplay on radio and Music. Let’s take a look at this historical year in history and music!

Events involving music

  • Def Leppard’s drummer Rick Allen lost his left arm in a car accident on December 31.
  • Deep Purple reunites.
  • Hanoi Rocks drummer Razzle is killed in an automobile accident in early December. The driver of the car is Vince Neil of Mötley Crüe.
  • The debut albums of both Saint Vitus (Saint Vitus) and Trouble (Psalm 9) are released.
  • This is Spinal Tap, a cult mockumentary directed by Rob Reiner about the semi-fictional band Spinal Tap, is released.

The Top 10

10. Cirith Ungol – King of the Dead

9. Metallica – Ride the Lightning

8. Dio – The Last in Line

7. Bathory – Bathory

6. Deep Purple – Perfect Strangers

5. Metal Church – Metal Church

4. Iron Maiden – Powerslave

3. W.A.S.P. – W.A.S.P.

2. Judas Priest – Defenders of the Faith

1.Mercyful Fate – Don’t Break the Oath

You will not find a better combination of highly accomplished and highly inventive guitar wizardry than here. Some songs are packed with more killer riffs than some bands produce in their entire career. Incorporating more progressive rock ideas into song structure and performance the band effectively developed their sound and produced some of their best songs from “A Dangerous Meeting” to “Come to the Sabbath”. This is a great CD. A true cornerstone for heavy metal in general. Fronted by the infamous King Diamond, ‘Don’t Break the Oath’ is truly a haunting journey. Every fan of metal needs this album….

Track list

1. A Dangerous Meeting (5:10)
2. Nightmare (6:19)
3. Desecration of Souls (4:54)
4. Night of the Unborn (4:59)
5. The Oath (7:31)
6. Gypsy (3:08)
7. Welcome Princes of Hell (4:03)
8. To One Far Away (1:31)
9. Come to the Sabbath (5:19)
10. Death Kiss (demo)* (4:30)

Line-up/Musicians

– King Diamond / Vocals, Keyboards, Harpsichord
– Hank Shermann / Guitars
– Michael Denner / Guitars
– Timi “Grabber” Hansen / Bass
– Kim Ruzz / Drums

Historical Events of 1984

  • Jan 24 Apple Computer Inc unveils its revolutionary Macintosh personal computer
  • Feb 29 Pierre Trudeau announces he is stepping down after 15 years as Canadian Prime Minister
  • Apr 23 AIDS-virus identified as HTLV-III (acquired immune deficiency syndrome)
  • Jun 5 Indira Gandhi orders an attack on Sikh’s holiest site, the Golden Temple in Amritsar
  • Dec 3 Bhopal disaster: Union Carbide pesticide plant leak 45 tons of methyl isocyanate and other toxic compounds in Bhopal, India, kills 2,259 (official figure) – other estimates as high as 16,000 (including later deaths) and over half a million injured
  • Dec 19 Chinese Premier Zhao Ziyang and British Prime Minister Margaret Thatcher sign the Sino-British Joint Declaration to transfer Hong Kong back to China in 1997

1984 in Film & TV

  • Sep 20 “The Cosby Show” premieres on NBC-TV starring Bill Cosby and Phylicia Rashad
  • Oct 26 “The Terminator” directed by James Cameron, starring Arnold Schwarzenegger and Linda Hamilton is released in the US
  • Nov 9 Wes Craven’s horror film “A Nightmare on Elm Street” premieres in the US

-Georgina Strilakos

DEAD CROSS II Album Review

Dead Cross presents: Reign of Error

Mike Patton, Dave Lombardo, Justin Pearson and Michael Crain are among the most highly respected musicians in the metal community and beyond. Their most recent release as Dead Cross is titled “Reign Of Error,” and it sets the bar higher with an uncompromising hardcore sound with elements of thrash. What makes this song quite special is the fact that it tips the hat off to the old-school days of the genre, without necessarily trying to cash in on the nostalgia aspect like so many other bands seem to be doing. On the one hand, the roots of the band are clear. On the other, Dead Cross continues to carve its own path, one blistering song after another. The track is executed at breakneck speed, and the guitar riffing cuts through beautifully, while still allowing the vocals to stand out. The song is feature on Dead Cross’ sophomore album, aptly titled “II.” While the 9 featured songs are excellent and relentless in their own right, “Reign Of Error” is an outstanding moment, as it captures the band’s angst at a particularly stressful time, as members where coping with illness and other personal issues. The fury of this song shows their willingness to overcome all challenges and continue to press on, pushing forward with as much energy as ever. While “Reign of Error” features elements of thrash and extreme metal, the band’s passion for old-school hardcore punk is quite a huge element of their sound. Fans of artists such as Black Flag, Circle Jerks and Minor Threat will immediately empathize with the sound of this release.”Reign of Error” is definitely one of the most shred-friendly songs on this release, but it still retains the immediacy and back-to-basics twist that makes the album so distinctive. -Georgina Strilakos

Find out more about Dead Cross and listen to the full “II” album on Spotify.

https://deadcross.bandcamp.com/album/ii