ALBUM REVIEW: POWER TRIP

Live in Seattle 05.28.2018  

Review Score: 10

Reviewed by: Billy Klare 

Power Trip released a new live album “Live in Seattle – 05.28.2018” on June 23, 2023 through Southern Lord Records. As the name suggests, it’s a 2018 live performance recorded in Seattle at a time when Power Trip was in absolute peak form and arguably the best modern thrash band on the scene. Earlier versions of this show are out there in different forms but this is the perfect opportunity to get your copy on CD, vinyl and streaming platforms if you previously missed out as I did. According to the band website, the new 2023 streaming version was remastered.      

I’m sure most are familiar with Power Trip but I wanted to start with a brief history of the band for any newbies. Power Trip are from the U.S. state of Texas and specialize in old school crossover thrash metal (with their own unique twist). The band delivered two incredibly successful albums, Manifest Decimation (2013) & Nightmare Logic (2017) and built a strong reputation for their lethal live performances. Sadly, it all ended August 24, 2020 with the untimely death of their charismatic lead singer Riley Gale. It’s still unclear if the remaining band members will continue on with the Power Trip name but it will never be the same without Riley.  

I vividly remember the first time I discovered Power Trip and Riley Gale. It was November 30, 2017 at the Theater of Living Arts in Philadelphia opening for Cannibal Corpse and I had no idea who they were. They commanded my attention immediately and I instantly loved their 80’s inspired blend of thrash, punk and hardcore (i.e. crossover thrash). However, there was something extra special about Riley that caught my eye. He was the perfect energetic frontman leaping off speaker cabinets & the drum riser and performing high jump-kicks in the air from his standing position at the mike. I immediately ordered both albums that evening after the show.    

Now on to the album. It’s relatively brief at approximately 40 minutes in length but largely includes the best of the Power Trip discography (roughly 50% of the setlist from each album). The recording perfectly captures the raw intensity and fury of the legendary Power Trip concerts as I remembered them. The insanely catchy hook laden guitar riffs work so well live, I can only imagine the massive Seattle mosh pit that night. Riley’s in excellent form as well, his aggressive raspy vocal delivery commanding the stage and audience. Ferocious guitar solos and punching drums further fuel the intensity level. Tracks like “Executioner’s Tax”, “Crucifixation” and “Soul Sacrifice” made me want to start my own personal mosh pit right in the middle of my living room. The band is so tight, their live chops perfected over years of touring.     

I love the inclusion of Riley’s vocal interaction with the audience, a true blessing given his early passing. Riley uniquely sets the stage for an imminent guitar solo at one point by yelling “1,2,3 – GO” before the shredding begins. Another time he shouts “Take that Seattle” with an evil tone after a particularly brutal component of the song. As Power Trip enter the final songs of the show, Riley thanks the audience for a great night, tells them to take care of each other and then insists everyone “fall in line” and bang their ****ing heads. His on stage banter is genuine, appreciative and perfectly timed. Ironically, prior to playing the track “Firing Squad”, Riley dedicates the song to all friends that passed away.    

The sound quality is fantastic, probably the best live thrash metal recording in my collection. Everything is crystal clear and fully mimics the true live show experience. A full-on metal assault to the ears. The vinyl release is extra special including a beautiful 12 page black-and-white photography booklet filled with awesome band live action shots. The Riley pics are worth the price of admission alone. I should also mention the vinyl is incredibly well priced at about $20 US & $28 CAD.    

As you could probably tell, I love this “Live in Seattle” masterpiece. It’s outstanding from a song selection perspective and it’s ability to perfectly capture the Power Trip live performance. A rare perfect 10/10 rating. I feel like I’m standing in that Seattle audience every time I play it (and I can’t stop playing it). It’s everything I love about a thrash metal concert – controlled aggression and neck snapping good fun. But more importantly, this recording stands as the perfect tribute to the life and music of Riley Gale. RIP Riley Gale.   

I wanted to end this review by sharing a relevant memory from a recent Frozen Soul concert I attended (Death metal band also from Texas and friends of Power Trip). Frozen Soul lead singer Chad Green stopped performing mid-show that night and suddenly discussed the pain he’s experienced with the passing of his long-time friends Riley Gale (Power Trip) and Trevor Strnad (The Black Dahlia Murder). He pleaded with the audience to watch over friends & family and be alert for any potential signs of mental health and / or addiction symptoms. He encouraged the audience to step in and help before it’s too late. It was a powerful moment that made the hairs on the back of neck stand on end. A message we can all apply to our own life and within the broader metal community.   

Track Listing

  1. Drown (Intro)
  2. Divine Apprehension 
  3. Suffer No Fool
  4. Soul Sacrifice
  5. Executioner’s Tax 
  6. Crucifixation 
  7. Heretic’s Fork
  8. Conditioned to Death
  9. Firing Squad
  10. Manifest Decimation 
  11. Crossbreaker

Line-Up

Riley Gale – Lead Vocals
Blake Ibanez – Lead Guitar
Nick Stewart – Rhythm Guitar 
Chris Whetzel – Bass
Chris Ulsh – Drums  

ALBUM REVIEW: DEITUS

Irreversible 

Album Rating: 9

Reviewed by: Jim Harrison

Metal fans everywhere will have to mark their calendars for July 14, 2023 for the highly anticipated release of London, UK based band, Deitus who is set to release their new album Irreversible via Spinefarm/Candlelight Records.  This is their third album following their 2018 release Via Deloroso and 2016 Acta Non Verba. This band is known for their rabid live performances pushing the boundaries of their dark artistry.  Their sound can be described as a mix of doom, death and melodic metal but it really is a metal soundscape matching strong, dark vocals with superior musicianship. This  album is more of an “experience”, leading, not following musical expectations and trends.

The album is just over thirty nine minutes with six songs and starts with the instrumental track “Incursion” that leads off eerily slow and than picks up preparing you for the onslaught that is about to begin.  This heads into “Straight For Your Throat” which grabs a hold of it and doesn’t let go. Being the longest track on the album just over sixteen minutes, normally you would be  thinking that’s long but when you hear this it feels like a typical song length of three to five minutes.  The low vocals really bring a sense of the horror awaiting, showcasing  the strong guitar work and pounding drum beat. There is a great melodic sound throughout it pushing a tribal feel.  The next track “A Scar of Serenity” is one of my two favourite songs on this album. This is a heavy pounding song and is super fast. I love the repeated lyric “Let Me In”.  This song is catchy and I find myself humming it afterwards. This will be a great track live with huge audience participation, it also has a thrash feel to it in parts. The title track “Irreversible ” is next which pushes great vocals and a massive drum beat that sends this song into flight.  My other favourite track “Voyeur “ and this track is fantastic. This actually could be one of my favourite songs of 2023, I like it that much.  Guest vocalist Toni Coe-Brooker has an amazing voice that just makes this so dramatic and dreamy.  This song is about the terror of sleep paralysis and the video is a work of art. Coe-Brooker did all the underwater scenes herself which is impressive. This is the first time Deitus has done a collaboration and it’s a home run. The last track on the album “As Long as They Fear” has a blackened trash vibe to it and positively book ends this album on a high. This is a great song and the catchy guitar riffs make this another song that would be awesome live.

The albums artwork by Santiago Caruso is totally captivating, adding to the extreme expectations. 

This whole album is superb, really showcasing a sound experience or even being genre defining.  I love the rawness of this album and like the longer songs versus many songs, it makes it special.  The track “Voyeur“ will bring more attention to this album propelling exposure to metal fans not only in Europe but all over the world.  The video runs parallel to the song and is perfect giving that visualization to tell the story.

I recommend this album to fans looking for a deeper metal experience. 

Track Listing

01. Incursion 
02. Straight For Your Throat
03. A Scar For Serenity 
04. Irreversible 
05. Voyeur (feat. Toni Coe-Brooker)
06. As Long as They Fear 

KEIFER BAND, WINGER, AND JOHN CORABI

BROUGHT TO YOU BY: MARSWORTH

ALL PHOTOS TAKEN BY: DYE HARD PHOTOGRAPHY

LOCATION: Harrison, Ohio

VENUE: Blue Note

DATE: June 17, 2023

JOHN CORABI


WINGER


KEIFER BAND

ALBUM REVIEW: THE ARCANE ORDER

Distortions from Cosmogony

Review by: Jim Harrison

Rating: 8.5

Danish extreme metal band The Arcane Order released their fourth album, Distortions from Cosmogony June 9, 2023 via Black Lion Records to fans worldwide.

I like this band’s ability to meld extreme, black, death, doom, topping off a melodic metal sound. If you are a fan of any one of these genres than you are in for a real treat. The songs showcase what I love about metal, great melody, extreme sound that is  quite catchy, really delivering a metal experience that is all it’s own.  It’s great that in 2023 we have bands like this who create such groundbreaking albums bringing something new to the listener.

The album starts with a quick intro ripping into the first track and single released “Cry Of Olympus” which is like a punch to the face, getting your attention.  It sets the pace of what this album is all about and is one of my favourite tracks. Vocalist Kim Song Sternkoph sounds fantastic on this track. Next song “A Blinding Trust in Chosen Kings” starts with a massive drum beat, strong bass and duelling guitars and again those low growling vocals really suit this song.  It slows about halfway through then the vocals run high creating a melodic interlude and finishing brutally strong. Both tracks “Starvations For Elysium” and “Flavours For Significant“ have a strong bass and drum beat that pound the listener into submission. We hit a musical interlude with “Empedocles Dream” and then smash into “The First Deceiver” where the vocals just launch this song into the stratosphere. “Ideals of  Wretched Kingdoms” has my favourite lyric in it with “Of what is true or right or real, But forced to qualify or so I feel.,Or well,  it does seem so: someone must know”. This is my other favourite on the album. The next track  “Children of the Erebos” has more of a heavy melodic feel to it, the vocals going from low to high make this song actually catchy and has a great flow it it. The last track “Wings of Duality” finishes  the album off in style. The lighter doom sound with the pounding of the bass and drums sound awesome turned up on my system. I really like the low vocals then punching them high on the pounding drum parts.  This song has great flow and would be awesome live.

The albums artwork by Ars Moriendee is absolutely stunning keeping in line with the theme of the album looking inward and challenging one’s self. 

At fifty eight minutes this album has something for all metal fans. It’s extreme, fast, technical and well written. The musicianship and vocals keep true to their identity and this is where they shine. I am hoping many new fans check this out as it will only enhance your play lists. I recommend picking this up. 

Kim Song Sternkoph  vocals 
Fleming C. Lund.        Guitar 
Kasper  Kierkegaard   Guitar 
Anders Frodo  S. Mikkelsen Bass
Bastion Thusgaard      Drums 

Interview with RED CAIN

Georgina talks with Alberta, Canada’s RED CAIN. This prog power band released their new album NAE’BLIS on June 2nd. Born out of the vast prairies and snowy peaks of Alberta, Canada, RED CAIN is a modern progressive metal project with Eastern European roots. With intricate songwriting, powerful vocals, eerie soundscapes and strong electronic-backed groove.


THE METAL PIT: (Georgina) How did you choose your band name and what is the story behind it if any?

RED CAIN: It was a name chosen to evoke strong visual imagery with the colour red, and connect to our interest in storytelling – with one of the most well-known stories told, that of Cain and Abel. With time, the name embodied our brand and became more pragmatic as something easy to remember and capturing the high-level essence of the band. Makes for a great logo as well.

How long has your current band lineup been together?

In totality, just for this release. Sam Ridout and Kalie Yan joined for just under a year ago, and have been integral parts of the band since. 

What’s the story behind your latest album and new release NAE BLISS?

It’s a play on the term “Nae’blis”, which in the Wheel of Time lore, is the title of the Champion of the Great Lord of the Dark, the antagonist of the series. The umlauts are a nod to Swedish metal, which inspired some of the work on this album, including most recently bands such as Vildhjarta and Humanity’s Last Breath, as well as mainstay influences Opeth and Meshuggah.

In terms of the concept, it follows four of the Forsaken, the antagonists of the Wheel of Time series, and their motivations and struggle against the Light and its champion, the Dragon Reborn – framed as a struggle against stagnation and the status quo that the cyclical nature of the Wheel of Time universe represents. They are agents of Chaos, revolutionaries fighting for freedom from the shackles of the Wheel. 

Are there any plans for touring in support of your latest release?

We are working on this, and would love to do a European tour and meet our most vocal and involved fans there – as well as make some new ones. 

What genre of music would you say your band falls under?

Many – we’ve made it our mission to have multiple influences that reflect our own interests as musicians in each release. We’re firmly rooted in power metal, of course, but we’ve always had strong gothrock, prog, and now even death metal influences in our albums, especially the latest release. Frankly, we prefer it this way, and it is interesting both for us as musicians and our fans. 

Where is your hometown and can you tell us a little about the place?

Calgary, Alberta! We’re famous for the yearly Calgary Stampede celebration, beautiful mountain scenery, and an underachieving hockey team.

Who are some of the band’s influences?

We frankly have a massive list, but the core ones are Kamelot, Symphony X, Tesseract, and more recently, Meshuggah and Opeth. We’ve also aimed for a modern electronic-backed sound similar to bands like Periphery, Amaranthe, etc. And we always love to include some gothrock influence from bands such as Charon, 69 Eyes, Lacrimas Profundere. 

I absolutely love the band’s diversity. Can you introduce us to each band member and where they are from and what they do in the band?

Thank you! Evgeniy is originally from Russia, where he went through music school and received a classical education with a focus on piano. He came to Canada when he was a teenager and switched focus to rock and metal after embracing the local music scene and falling in love with the genres. Red Cain is a product of his musical vision.

Sam is a talented and extremely technical guitarist who made his name through playing jazz in various local open mic nights and perfecting his technique at the grassroots level. Red Cain is his first step into professional musicianship, and he has already had a massive influence on the band’s sound, sharing songwriting duties with Evgeniy on “NAE’BLISS”.

Taylor is a long-time Red Cain member and a stable, consistent, rock-solid presence on the back end. His true love is thrash metal, with bands like Artillery, Megadeth, and the more aggressive releases of Devin Townsend.

Kalie is a talented multi-disciplinary musician who has a presence in the Chinese market in the hip-hop genre, and is an extremely versatile vocalist, contributing growls to the latest Red Cain album, as well as playing live bass. She is a great asset to the band. 

Andrei is a virtuoso guitarist who perfected his skills and pursues a career as a guitar teacher as well as his musical work. His neoclassical style is an homage to his idols Yngwie Malmsteen, Buckethead, and Steve Vai, and he brings another facet of Eastern European musical tradition to the band, hailing from Romania. 

Do you have any other albums out? If so, what are they called and where can they be found?

We have three other albums: a self-titled EP, and two concept albums, Kindred: Act I, and Kindred: Act II. All are available anywhere music is sold or streamed, or directly from us at redcain.bandcamp.com

Do you have any upcoming shows or tours?

We have recently played some local shows and are in the process of planning a larger touring presence. 

Do you have any funny or interesting stories from being on the road that you can share with us?

Not yet – but we plan to soon!

What are some of your favorite songs to play live?

Our Eastern European anthem “Hiraeth” from our debut EP won us the YYC Best Metal Recording of the Year music award, and is still a fan favourite that we love to play live. 

What do you hope people take away from your music?

Part of the vision of the band was to capture pagan Slavic musical tradition where songs and stories were used as a unifying force that paid homage to Slavic gods who stood shoulder to shoulder with the common people, and passed on timeless stories listeners. Likewise, we love to tell stories and transport listeners to a different setting. Listening to a Red Cain track is meant to be an encompassing, full experience, and there is always something new to be discovered through multiple listens. We hope that every fan can shape their own interpretation, visual and aural, from the music that we release, and that we can take them with us on the wild ride to whatever world is vividly portrayed in our songs. 

Who are some of your favorite tour partners or collaborators that you’ve worked with so far?

We really enjoyed working with Kobra Paige of Kobra and The Lotus on our track “Wing of the Crow” where she featured as a guest vocalist. She put up a brilliant performance that completed our vision, and was an absolute professional and lovely to work with. 

What are some of the band’s upcoming projects?

We are already thinking about upgrading our live show for our fans, and working on the vision for our next release!

What is the best way to contact the band?

You can reach us at redcainarmy@gmail.com,
Instagram @RedCainArmy
Facebook at Red Cain Official.

How can fans stay up-to-date with the band’s activities?

Our Instagram and Facebook are the best ways to do so. 

What merchandise does the band sell, and where can it be purchased?

We primarily sell our music as digital tracks, but we do release shirts and physical CDs based on certain releases.

Is there anything you would like to tell your current fans and new ones while they read this interview?

We’d love to hear from you about our latest release, or anything at all! Fans are a huge reason for why we make music, and we love to keep a dialogue with you wonderful people. Check out the album, and listen to more Canadian music – we have plenty of massively talented artists in the great white North. Thank you for listening!

Thank you for this interview. 

Thank you for sharing and taking the time for this interview…

RED CAIN ARE:

Evgeniy Zayarny: Vocals
Samuel Ridout: Guitars
Andrei Buldan: Guitars
Kalie Yan: Bass/Vocals
Taylor Gibson: Drums

***Interview by Georgina Strilakos