ALBUM REVIEW: NECROWRETCH

Necrowretch – Swords of Dajjal

Reviewed by: Kenneth Gallant

Review Score 9.0

You have to love it when a band can build tenure in any musical genre. When a band like Necrowretch is eating up fifteen years in the business it’s quite a feat. Now I say this having very little exposure to the band’s discography, but upon hearing their latest effort, I have to say I’m quite impressed.

The album in question is Swords Of Dajjal and it’s due out February 2nd on Seasons of Mist Underground Activists. What you get here is an album clocking in around thirty-seven minutes of the blackened-death variety and it only took three years in the making according to the band.

This is also album number five, coming upon the heels of the whole world shut down debacle of COVID, and it’s quite an interesting back story as to how this record came about. For starters, the previous release The Ones From Hell (came out in 2020) was meant to give the band a huge push right out of the gate. A European tour was put together with Kampfar and Taake, but that was quickly squashed when the pandemic erupted. The band was forced into shutdown mode, so they decided to write some new songs.

These songs gave the band a chance to upgrade their power and depth as a musical entity and according to singer Vlad, he took singing lessons to meet that challenge, along with upgrading their gear and tuning the sound. What came about afterwards is a sound of intensely written black metal, but with more variety and some death metal layering in for good measure.

Necrowretch

This all sounds exciting, so when perusing over the press-kit materials I quickly realized the band means business on this new release. So without further adieu, here’s some of my analysis on what to expect with Swords Of Dajjal.

The guitars are out front on the opening track ‘Ksar Al-Kufar’, along with Vlad’s raspy vocal delivery in a pronounced way. He sounds immediate here and I’m liking what I am hearing. There’s some nice ominous passages that start up on ‘The Fifth Door’ right out of the gate. The commanding drone of the guitars reach my ears quickly and Vlad layers his vocals with a fiery passion. The song spirals into a meaty mid-section and I am completely enthralled with this new sound.

‘Di Mauri’ begins with a demonic passage of speech and blackened guitars that spew out a tone of nastiness. The band’s new drummer N. Destroyer is on fire and I’m getting some early-era Entombed vibes here tonally. The pace quickens on the title track Swords Of Dajjal because those riffs take centre stage and provide meaty fisticuffs before sprawling into a doom laden passage. This is definitely some serious stuff happening and we’re only half-way through the recording.

It’s hard to tell what is being said lyrically, but I suppose ‘Numidian Knowledge’ is waxing poetically on the ways of this semi-nomadic tribe known as the Numidia population. As esoteric as it sounds, the song spirals out like a group of monks deviating from their daily ritual of prayers and mediation and embarking on some bloodletting. It’s a pretty cool song for the most part and I do like the snaky passages leading up to the end of it. The next track ‘Vae Victis’ is a black metal staple with all the fixings, as the guitars drone along until the stark turn into barked out death vocals and blasting guitars. It’s such a great way to end the number.

‘Daeva’ is a short instrumental track that follows; getting punchy and straight to the point. However, it’s contrasted by the closing number ‘Total Obliteration’ as being the longest track here. You get some precision drumming and drony guitars to start out, but Vlad’s vocals are shouted out and seem to give the song some added extra dimension. There’s a smooth transition into the eerie sounds of hands sliding across the neck of the guitar strings that is a really neat effect to bring an end to the proceedings. I have to say this track concludes with a bang and it compliments the other seven tracks before it.

I have to say this is a banger of a release! It’s built upon a new and improved sound, plus it expertly straddles along the genres of both black and death metal. Vlad’s vocals are a high point for me and you can’t go wrong with a band who puts its best foot forward in earnest of improving their sound overall. Let’s see what they do on the live concert circuit in 2024.

Swords of Dajjal will be released February 2, 2024 on Season of Mist

ALBUM REVIEW – SONATA ARCTICA

Sonata Arctica – Clear Cold Beyond

Reviewed By: Georgina Strilakos

Review Score: 9.0

Finnish Power Metal combo Sonata Arctica formed in 1995, and it didn’t take long for the group to jump to the forefront of the Scandinavian scene.

The group’s complex and ambitious sound is quite remarkable, especially considering the band actually started as Tricky Beans when they were playing hard rock tunes! Needless to say, they eventually settled into a different musical identity, fully embracing their power metal persona to great effect and acclaim.

Led by vocalist and songwriter Tony Kakko, Sonata Arctica‘s music continued to evolve, embracing traditional heavy metal elements with power influences, meaning a stronger focus on melody and song arrangement. Inspired by fellow Finnish bands such as Stratovarius, the group combined their metal core with other elements, including grandiose orchestral scores, symphonic arrangements, and even synthesizers, in order to add more layers to its sound.

The group’s most recent studio work, Clear Cold Beyond, Is a perfect example of the band’s ongoing search for size and depth in its music. The album is going to be the group’s eleventh full-length, marking a huge milestone for the band.

Clear Cold Beyond features eleveb songs, including the single ‘First In Line’, which was actually released on October 12, 2023. With this record, the band expressed a desire to return to a heavier sound after exploring more of its textural side in some of its previous works. In light of a return to live performances, the group especially felt the need for some high-energy material that would have an impact on stage.

The single ‘First In Line’ is a perfect example of how the band approaches their aforementioned mission statement, as it packs a huge punch from the get-go. The fast-paced drum intro follows a melodic yet energetic segment, where orchestral elements blend in with big rhythm guitars and roaring bass tones.

The vocals come in at about thirty-eight seconds in, soaring through the big guitars and choral parts, echoing the old-school sound of the band but not necessarily going for a nostalgic vibe.

In conclusion, Clear Cold Beyond is a very diverse album, which seems to be an attempt from the band to look back on all of its era, and create something that would accurately represent all the creative nuances that made its sound and legacy so enduring.

The Clear Cold Beyond drops on March 8th via Atomic Fire Records.

2024 ALBUM REVIEWS

ALBUM REVIEW – THE RODS

The Rods – Rattle The Cage

Reviewed By: Tom Elke

Review Score: 8.5

The Rods

The Rods are a U.S. metal band that was started in late 1979 by drummer Carl Canedy (who was the first drummer for Manowar) and lead vocalist/guitarist David “Rock” Feinstein (Ronnie James Dio’s cousin). Adding bassist Garry Bordonaro to complete the lineup, they put out six albums, one EP and one live album through the 80s. While still remaining friends and always keeping in touch (and perhaps playing a gig here and there) the band finally reunited in 2008 to play a festival in Norway (The Rods are one of those bands that has always had that “street-cred” aura attached to them.) This prompted them to record the album Vengeance in 2011 and Brotherhood of Metal in 2019.

The Rods are now joined by bassist Freddy Villano and have a new a studio album entitled Rattle The Cage, with a release date of January 19th, 2024 on Massacre Records. The album is produced by The Rods (which of course includes Carl Canedy, who has forty plus albums to his producer credits) while being mixed & mastered by Chris Collier… giving Rattle The Cage a modern sounding metal album that still possesses The Rods’ style of traditional metal music. It sounds great!

The album features ten tracks, with a running time of approximately forty-nine minutes. It’s a mixture of tempos from slower, to mid-paced, to up-tempo tracks. There’s even some organ/keyboards spots that are sprinkled in by guest musician Lonnie Park, but it does not take anything away from The Rods classic sound… and classic sounding The Rods it is! Whether it’s great songs like ‘Hell Or High Water’, ‘Play It Loud’, ‘Now And Forever’ or the excellent title track, The Rods bring the same passion and power they brought back in their early days of existence. This is an excellent album of modern-sounding, traditional metal music.

Rattle The Cage track-listing:

Now And Forever
Wolves At The Door
Cry Out Loud
Rattle The Cage
Can’t Slow Down
Metal Highways
Hell Or High Water
Play It Loud
Shockwave
Hearts Of Steel

ALBUM REVIEW – SAXON

Saxon – Hell, Fire And Damnation

Reviewed by: Tom Elke

Review Score: 8.5

Saxon has been putting out albums for a lot of years now. And after such a while, you’d think that a band would run out of ideas and material. Well that is definitely NOT the case with the mighty Saxon.

Their 24th Studio Album – Hell, Fire And Damnation has a release date of January 19th, 2024 on Silver Lining Music. It’s produced once again by Andy Sneap and lead singer Biff Byford, with Sneap handling the mixing & mastering duties as per usual. Hell, Fire And Damnation has a running time of approximately forty-two minutes, which features nine tracks along with just over a minute opening/narration to lead off the album.

There’s a new band member playing on the album. Brian Tatler of Diamond Head fame joins Doug Scarratt on guitar. They join the aforementioned Biff Byford on lead vocals along with Nigel Glockler on drums and Nibbs Carter on bass. This lineup is rock solid, and all play great on this record.

Hell, Fire And Damnation is filled with great guitar riffs on tracks such as ‘Pirates Of The Airwaves’, ‘1066’, ‘There’s Something In Roswell’ as well as the title track. Another standout throughout the album is the trading off of lead solos between Scarratt and Tatler. It’s like they’ve been playing together for a long time… it sounds great!

Biff’s vocals have not lost anything. He’s still as strong and impressive as ever, and it shows in his performance. Very well done. Saxon wouldn’t be “The Mighty Saxon” without one of the great rhythm sections in all of metal. Nibbs Carter and Nigel Glocker are in lock-step with each other, once again delivering the goods with power and precision.

All in all, Saxon gives us yet another excellent album in Hell, Fire and Damnation. There is no filler on this Record. It is quality metal music from start to finish.

Hell, Fire And Damnation releases on January 19th, 2024 via Silver Lining Music.