CLASSIC ALBUM REVIEW
Arch Enemy – Doomsday Machine
Reviewed by: Blake Mossey
Review Score: 9
As I was pondering what album I wanted to review for a classic album review I looked to one of my favourite bands Arch Enemy. I decided to write about their 6th studio album. Doomsday Machine from 2005. This was the 3rd of the 5 albums that featured Angela Gossow on vocals. Angela replaced original vocalist Johan Liiva. Angela was one of the first female extreme vocalist and influenced many females to get into metal music and that type of vocals. Check out our podcast episode on her first album with Arch Enemy. Wages of Sin from 2001. Me and my favourite witch Rebecca talked that album and about Rebecca also designing outfits for Angela Gossow and Arch Enemy. Take a listen.
Following the recording of Khaos Legions in 2011, Angela handed over vocal duties to Canadian Alissa White-Gluz, who continues as the band’s current vocalist. Angela remained with the band in a managerial role. Arch Enemy are pioneers in the melodic death metal genre. The album showcases former Carcass guitarist and Arch Enemy mainstay Michael Amott, alongside his brother Christopher on guitar, who has since left the band. Sharlee D’Angelo, ex-member of Mercyful Fate, handles the bass, while the formidable Daniel Erlandsson is on drums.
For me personally Arch Enemy was the first extreme metal band I really listened to. I was never into the death style vocals. Back in the days of cd samplers that came with metal magazines I first heard ‘Ravenous’ from the Wages of Sin album and the guitars and music blew me away and made me accept this type of vocals. To my surprise it was a female doing that growling. But that song and album hooked me on Arch Enemy and opened my mind up to that type of vocals.
ENTER THE MACHINE
Album starts off with a two minute instrumental which they used for the outro of their live shows. The melodic guitars of the Amott brothers on display to show case wants to come.
TAKING BACK MY SOUL
The song kicks off with intense drumming, leading into shredding guitars and Angela’s uniquely fierce vocals. It’s a fast-paced, thrash-like track that showcases a guest guitar solo by Gus G of Firewind. The guitar work is a standout feature in this song and across the entire album and well all Arch Enemy albums for that matter.
NEMESIS
‘Nemesis’ by Arch Enemy is a quintessential metal anthem and one of my favourites. It kicks off with fiery guitar leads that segue into Angela’s signature metal scream. The chorus is designed for audience engagement, chanting “One for all, All for one, We are strong, We are one.” It’s a staple in Arch Enemy’s live performances and unlikely to be dropped. The drum interlude midway is a highlight, showcasing Daniel Erlandsson’s intense style that perfectly matches the Amott brothers’ fierce riffs and melodic leads. True to Arch Enemy‘s style, the song dramatically slows down before surging forward with renewed energy.
MY APOCALYPSE
“Sudden implosion of silenced emotions
Buried beneath a scarred heart for too long
Delusions of hope fading away
Dying like leaves on frozen soil”
Another live show staple for Arch Enemy. The lyrics complement the darkness of the riffs, portraying a personal apocalypse. It’s as if the individual is gradually vanishing from earthly existence, descending into darkness and depression, facing the ultimate apocalypse: death. This track is another favourite of mine from the band. It features an apocalyptic sound effect, and there’s a slowed-down atmospheric section in the middle that transitions into melodic guitar licks before returning to the main theme of the song. The echo effect is used effectively, which is a technique they regularly employ.
CARRY THE CROSS
‘Carry The Cross’ is a slower, heavy, and brooding track. Angela’s vocal delivery is venomous, particularly when she articulates “Carry The Cross.” It’s the closest rendition to a ballad with Angela on vocals, as she does not venture into clean singing like Alissa does now. While it’s not one of my favorite tracks on the album, it remains a solid song.
I AM LEGEND/OUT FOR BLOOD
The song begins with 1 minute and 20 seconds of instrumental music before launching into a fast-paced, ferocious track featuring Angela’s intense vocals. The thought of Angela screaming “I am out for blood, out for your blood” at me is quite unsettling. I think the lyrics of this song mirror the horror story ‘I Am Legend’ by Richard Matheson, which depicts a world where all humans have transformed into vampires, leaving only one man unaffected.
SKELETON DANCE
“Watch the skeleton dance
On my grave
My frozen hour of death
Between birth and grave
Here I am alone”
The song captures the final moments of a person’s life with a thrashy, fast tempo. It may not be the standout track of the album, but it features a killer guitar solo and pounding drums that keep it engaging.
HYBRIDS OF STEEL (Instrumental)
‘Hybrids of Steel’ presents nearly four minutes of the instrumental prowess Arch Enemy is celebrated for. The piece is a stellar showcase of the Amott brothers’ guitar work, echoing the influence of ’80s guitar heroes. It’s the kind of music that has you humming along to the guitar licks and solos. It’s surprising to me that Michael Amott hasn’t ventured into a solo instrumental album akin to what artists like Vai or Satriani have produced.
MECHANIC GOD CREATION
Angela delivers another brutal vocal performance in this piece, with an almost doom-like sensation yet maintaining a fast and thrashy rhythm. The song might depict the decline of human necessity in favor of robots. Angela’s lines such as “We are rendered obsolete, just a relic at their feet. Not cold enough, too human,” resonate with this theme. Song finishes with another blistering solo.
MACHTKAMPF (Power Struggle)
“All I had was
All I gave
Was it not enough?
You took
You take
Never giving anything back”
This track features another riff-heavy, thrash-like groove. The solo work is incredible once again, accompanied by thunderous drums and bass.
SLAVES OF YESTERDAY
The album concludes with one of my favourite tracks, serving as an excellent finale. Erlandsson’s drumming is once again a dominant force in this song. It may not be one of the faster tracks, but it boasts a fantastic metal thrash groove. The majority of the lead parts on this track are contributed by Christopher.
CLOSING THOUGHTS
This isn’t my favorite Arch Enemy album. Wages of Sin might be, but every album featuring Angela and Alissa contains some great tracks, and the musicianship consistently keeps me interested in the band. I haven’t listened to the first three albums with Johan Liiva, and although I’ve read many reviews claiming the band sold out when Angela took over vocal duties and their style became more melodic, they still remain one of my all-time favourite bands.
Arch Enemy – Discography
Black Earth (1996)
Stigmata (1998)
Burning Bridges (1999)
Wages of Sin (2001)
Anthems of Rebellion (2003)
Doomsday Machine (2005)
Rise of the Tyrant (2007)
Khaos Legions (2011)
War Eternal (2014)
Will to Power (2017)
Deceivers (2022)